By L.A. Stevens
MAY 2025 -- Last week’s
firings of the Register/Director of the U.S. Copyright Office, Shira
Perlmutter, as well as Librarian of Congress Carla Hayden, by Donald
Trump, sent a clear message to U.S. creators that copyright protection –
and by extension – royalties paid to creators, are in serious danger
under the current administration. The firings are being reported as
Trump’s war on culture, but they also represent a potential devastating
blow to the American music industry – an industry that contributes more
than $200 billion annually to the American economy while also providing
2.5 million U.S. jobs.
The firings
at the LOC and USCO occurred almost immediately after a draft version
of a USCO report was issued concluding that the unauthorized “training”
of generative AI systems on existing copyrighted works will likely not
qualify as “fair use.” The firings following so closely seem determined
to chip away at the protections afforded creators by the LOC and the
USCO. By way of illustration, technology industry leader Jack Dorsey
recently issued a statement urging that American and global IP
protection laws be “deleted,” presumably in favor of free access to
copyrighted works for GenAI uses -- such as preparing and distributing
derivative musical compositions and recordings, in direct competition
with the original creators.
Unfortunately, the Department of Government Efficiency’s leadership appears sympathetic to
Dorsey’s calls, despite the fact that:
This
obvious push by anti-IP tech privateers, including a take-over of
American IP policy through the disintegration of the LOC and USCO, would
cause catastrophic damage to US culture and commerce while benefiting
no one but multinational tech corporations seeking to evade royalty
obligations.
This week,
the Songwriters Guild of America, along with its ally organizations –
the Society of Composers & Lyricists and Music Creators North
America – sent letters to ranking members of the House and Senate
Judiciary Committee, the Senate Rules and Administration Committee and
the House Administration Committee, stressing the need to maintain the
autonomy of the LOC and the US Copyright Office under Legislative Branch
oversight. Continued legislative oversight is expected to further
protect the cultural and commercially important music industry and
creators, in general. You can read the full letters here
.